Iranian Revolution (1978–1979)
The Andy Warhol DiariesThe Iranian Revolution (1978–1979) reaches these diary entries less as a continuous account of events in Iran than as a crisis registered through interrupted plans, severed communications, and the anxious presence of people with direct ties to the country. The shift from a cancelled festival to a worried dinner party gives the upheaval a personal scale without suggesting that the diary provides a comprehensive account of the revolution.
A crisis interrupts travel plans
On August 17, 1978, Andy Warhol recorded that martial law had been declared in two Iranian cities. A festival the group had planned to attend on September 8 was consequently cancelled. The news brought him relief: the political emergency changed a social itinerary, but the diary does not explain what the festival was or why its cancellation was welcome. Its brief entry captures the uneven way the crisis entered everyday life—through a concrete plan that would no longer go ahead.
News reaches a New York dinner
Later that autumn, the upheaval appeared more immediately at a dinner at Quo Vadis, where the Hoveydas had been invited amid worsening conditions in Iran. A phone call came for Amir Abbas Hoveyda with news that telephone lines from Iran to Paris and New York were out and that the Shah had put the military out more strongly. The report made the distance between New York and Iran feel newly consequential: the gathering was interrupted by news that contact with the country had been cut off and military force increased.
Anxiety in the diary’s frame
The Hoveydas looked worried after receiving the call. The diary records their reaction but does not supply further details about the caller, the military deployment, or what happened next. Set beside the earlier relief at a cancelled trip, the scene shows the crisis becoming harder to treat as an inconvenience of scheduling. Political developments in Iran have entered the room as news with immediate emotional weight, while the diary remains attentive to the limited, fragmentary way that news reaches its New York social circle.